Demigirl pride with bunny ears, a little crown and a clear anti-fascist message.

This edition surrounds a blonde character with flowing bands of black, grey, white and pale pink. Sparkling eyes and a blue-and-white dress bring playful colour to the bold statement.

Sticker details

• One sticker featuring original Cerebroscope Studio artwork
• Synthetic PP with a glossy protective laminate
• Water-resistant
• Printed, laminated and contour-cut in Germany

Available sizes

• Longest side 3.6 cm (Mini)
• Longest side 4.5 cm (Medium)

For decorating notebooks, journals, laptops and other smooth surfaces.

Explore Handmade Stickers, Pride & Protest Stickers.

From the Cerebroscope archive

Z.O.M.B. LABORATORIES

Graphic Archive Record — 090-DG

Designation: Fascism’s Not Cute — Demigirl Edition
Record type: Pride slogan artwork; comparison and surrounding colour
Related record: 089-DB, Demiboy Edition
Working question: Can changing the surrounding palette alter how an unchanged character appears?

Records

I placed the Demigirl Edition beside the Demiboy Edition.

“The ears look pinker in this one.”

Omb leaned towards the comparison board.

Z. Omb

“Possibly. Are we looking at a changed ear colour or a changed impression?”

Records

“The frame is pink now.”

Z. Omb

“That gives us a useful question. It does not yet give us the answer.”

We listed the visible shared features: crown, blonde hair, long bunny ears, large eyes, blue-and-white dress and outstretched arms.

Around the figure, the Demigirl frame used black, grey, white and pale pink waves. The nearby Demiboy design used light blue in its pride palette.

Omb drew the two frames separately.

Records

“A tidy comparison.”

Z. Omb

“Provided we check the rest rather than assuming it is identical.”

The figure appeared closely matched between the supplied designs. We had not compared the original source layers, so exact colour equality remained unconfirmed.

For a first viewing exercise, Omb covered most of each frame with neutral paper, leaving the faces and ears visible.

My impression of a stronger pink difference became less certain.

Records

“I would not confidently pick one now.”

Z. Omb

“Record that. The surrounding colours may contribute to your first impression.”

Records

“So the frame changed the ears.”

Z. Omb

“It may have changed how you saw them. The ears in the image have not necessarily changed.”

They uncovered the designs again.

The pale pink waves echoed the character’s ears and the pink outline around the lettering. Dark lines kept those neighbouring areas distinct.

Records

“Repeated pink gives the whole piece a different rhythm.”

Z. Omb

“A good descriptive observation. We could investigate which repetitions viewers actually notice.”

We marked three pink elements on the composition sketch: ears, frame bands and lettering outline.

They differed in shape, position and visible shade. Calling them all pink was useful for discussing the palette, but too broad for checking reproduction.

The green area behind the shoulders remained visible too.

Records

“Do I put every colour in the edition palette?”

Z. Omb

“Separate the pride frame from the character colours and accents. Otherwise the description becomes difficult to follow.”

The archive recorded the whole artwork faithfully while identifying which surrounding bands carried this edition’s pride palette.

Then I turned to the name.

Records

“Demigirl Edition. Shall we write something about the dress?”

Z. Omb

“As clothing in the picture, yes.”

Records

“As evidence?”

Z. Omb

“The supplied edition name establishes the intended context. The dress establishes that the character is wearing a dress.”

No wardrobe rule was added to the file. No personal history was invented to make the figure fit the edition.

The character could remain cheerful, crowned and bunny-eared while the artwork carried its named pride context and explicit anti-fascist message.

We checked the slogan next.

Its black letters sat within a white surrounding shape edged in pink. Those borders kept the words distinct from the narrow waves behind them.

Records

“The pink outline belongs to the series as well as this particular palette.”

Z. Omb

“Yes. A repeated feature can take on a different relationship to its surroundings.”

The spelling note carried forward unchanged: the image reads “FASHISM’S NOT CUTE”; the listing uses “Fascism’s Not Cute.”

Finally, we reviewed the size order.

Mini first. Medium second.

The physical proofs would need particular attention where pale pink and white bands ran close together, and where the waves converged near the pointed ends.

Records

“Will the Mini keep all the little separations?”

Z. Omb

“That is what the proof will tell us.”

Records

“And until then?”

Z. Omb

“We have a clear design record and a specific thing to inspect.”

CURRENT RECORD

Identity: Intentional anti-fascist pride artwork, Demigirl Edition.

Shared character: Crowned blonde figure with pink bunny ears, sparkling eyes and a blue-and-white dress.

Frame: Wavy black, grey, white and pale pink bands surrounding the figure.

Comparison: The character appears closely matched to the Demiboy Edition. Exact equality of source colours has not been verified.

Viewing observation: One observer’s impression of stronger pink ears became less certain when the surrounding frames were covered. A broader effect remains to be investigated.

Colour relationships: Pink appears in the ears, pride frame and lettering outline; these are distinct elements within the composition.

Identity interpretation: Intended pride context follows the supplied edition name. Clothing does not establish personal identity.

Lettering discrepancy: Artwork reads “FASHISM’S NOT CUTE.” Customer-facing copy uses “Fascism’s Not Cute.”

Variants: 90.1 Mini; 90.2 Medium. Both belong to one product family.

Print verification: Pale-band separation, lettering and fine details remain to be checked on physical proofs.

Margin note — Records: The ears have remained still throughout a surprisingly active colour discussion.