Aromantic pride with bunny ears and a clear anti-fascist message.

The Aro Edition pairs a crowned blonde character with a flowing frame in aromantic pride colours. Pink ears, sparkling eyes and a blue-and-white dress bring playful charm to the bold lettering.

Sticker details

• One sticker featuring original Cerebroscope Studio artwork
• Synthetic PP with a glossy protective laminate
• Water-resistant
• Printed, laminated and contour-cut in Germany

Available sizes

• Longest side 4.5 cm (Medium)
• Longest side 3.6 cm (Mini)

For decorating notebooks, journals, laptops and other smooth surfaces.

Explore Handmade Stickers, Pride & Protest Stickers.

From the Cerebroscope archive

Z.O.M.B. LABORATORIES

Graphic Archive Record — 087-AR

Designation: Fascism’s Not Cute — Aro Edition
Record type: Aromantic pride slogan artwork; symbol and composition study
Related records: 080-T and 086-A, series comparisons
Working question: How do familiar decorative symbols change meaning when placed within an explicitly named pride design?

Records

I wrote Aro — Aromantic at the top of the archive page.

Then I looked at the little pink heart on the crown.

Z. Omb

“Something to add?”

Records

“Only that the heart is still there.”

Z. Omb

“Yes. Draw it.”

Records

“You are not treating that as a contradiction.”

Z. Omb

“A heart-shaped ornament does not provide a biography.”

The crown belonged to the shared character design. So did the blonde hair, pink ears, large eyes and blue-and-white dress.

The edition’s supplied name and surrounding colours established its intended aromantic pride context. The crown ornament did not cancel that context or tell us what kinds of affection, relationships or experiences any individual had.

I added decorative heart motif beside the crown sketch.

Records

“A surprisingly small note for something people can read a great deal into.”

Z. Omb

“Small symbols can acquire large assumptions. That is a reason to label our evidence carefully.”

We traced the frame next.

Its bands followed the sides of the character in waves, continuing towards the pointed ends above and below. Green shades, white, grey and black formed the surrounding palette.

Records

“Flag colours, curved arrangement.”

Z. Omb

“Good. Preserve both parts of that description.”

The artwork did not display a plain rectangular flag with horizontal stripes. Its pride palette had been adapted into a decorative frame.

Omb drew a simplified map of the visible bands, leaving the central character in outline so we could follow where the background disappeared behind the ears and shoulders.

Some narrow sections became difficult to track near the lower lettering.

Records

“I can see a colour, lose it behind a letter, then find it again.”

Z. Omb

“Mark the visible sections. A concealed connection belongs in the diagram as concealed.”

The black regions gave the pink ears and pale sleeves strong contrast. Elsewhere, dark outlines separated the figure from lighter parts of the frame.

When we covered the lettering, the character and pride colours remained. The anti-fascist statement required the words.

When we covered the frame, the shared character remained, but this edition’s colour context became much less apparent.

Records

“Different elements carry different parts of the message.”

Z. Omb

“And work together in the finished piece.”

I proposed adding a relationship description beneath the character.

Omb tapped the archive heading.

Z. Omb

“We have an edition name. We do not have a personal account from a sitter.”

Records

“So no invented relationship history.”

Z. Omb

“Exactly. The artwork can represent pride without supplying a fictional questionnaire result.”

That left plenty to investigate: framing, recognition, colour, lettering and how viewers interpreted the design.

We wrote down questions for a future viewer study. One asked which element first suggested the edition’s theme. Another asked what meaning, if any, viewers assigned to the crown’s heart.

Records

“Shall I offer possible answers?”

Z. Omb

“After their own response, if needed. Otherwise we may end up measuring how well they repeat our suggestions.”

The two size variants received a separate proofing note.

The overall silhouette and slogan were bold. The small crown heart and narrow background bands would need inspection on physical Mini and Medium prints.

No screen reduction could establish their finished clarity.

Finally, we checked the lettering transcription against the image.

Records

“‘FASHISM’S NOT CUTE’ in the artwork.”

Z. Omb

“‘Fascism’s Not Cute’ in the customer-facing title. Same documented distinction.”

I closed the comparison sheet.

The little heart remained on the crown, exactly where it had started.

CURRENT RECORD

Identity: Intentional anti-fascist slogan artwork, Aro / Aromantic Edition.

Pride context: Aromantic edition identified by the supplied name, with green, pale green, white, grey and black used in the surrounding frame.

Geometry: Wavy bands around the central figure; a decorative adaptation rather than a conventional rectangular flag layout.

Shared character: Crowned blonde figure with long pink bunny ears, sparkling eyes and a blue-and-white dress.

Heart motif: Small decorative ornament on the crown. It does not establish romantic attraction or a relationship history.

Interpretation: No personal identity or experience inferred from appearance, accessories or sticker ownership.

Lettering discrepancy: Artwork reads “FASHISM’S NOT CUTE.” Customer-facing copy uses “Fascism’s Not Cute.”

Variants: Medium and Mini belong to the same product family.

Print verification: Lettering, crown detail and narrow bands remain to be checked in physical proofs.

Margin note — Records: The heart has been relieved of answering personal questions.