Graysexual pride with bunny ears, a little crown and a clear anti-fascist message.

This edition pairs a cheerful blonde character with a flowing purple, grey and white pride frame. Pink ears, sparkling eyes and a blue-and-white dress bring playful charm to the bold statement.

Sticker details

• One sticker featuring original Cerebroscope Studio artwork
• Synthetic PP with a glossy protective laminate
• Water-resistant
• Printed, laminated and contour-cut in Germany

Available sizes

• Longest side 4.5 cm (Medium)
• Longest side 3.6 cm (Mini)

For decorating notebooks, journals, laptops and other smooth surfaces.

Explore Handmade Stickers, Pride & Protest Stickers.

From the Cerebroscope archive

Z.O.M.B. LABORATORIES

Graphic Archive Record — 093-GS

Designation: Fascism’s Not Cute — Graysexual Edition
Record type: Pride slogan artwork; edition recognition and archive comparison
Related records: 089-DB, 090-DG, 091-GQ and 092-GF
Working question: Which details help us distinguish closely related designs without relying on memory?

Records

I placed the Graysexual Edition at the end of the comparison board.

“Final one.”

Z. Omb

“For this batch.”

Records

“You have left room for another board.”

Z. Omb

“I have met an expanding archive before.”

The familiar character occupied the centre: blonde hair, crown, long pink ears, blue-and-white dress and open hands.

Around them, purple, grey and white bands followed the wavy frame. Black boundaries kept the neighbouring areas distinct.

I reached for a label from the nearby files.

Omb glanced at it.

Z. Omb

“That belongs to the Demigirl Edition.”

Records

“The grey bands looked familiar.”

Z. Omb

“They are familiar. The whole arrangement still deserves checking.”

We returned the label and began a fresh comparison.

Instead of identifying the design from one shared colour, we recorded several features together: the supplied edition name, purple outer regions, grey and white waves, central character and slogan.

Records

“An identification checklist.”

Z. Omb

“A short description we can verify against the image.”

The shared character made the series easy to recognise. It also meant that recognising the character alone could not tell us which edition we had.

Omb covered the titles on the comparison sheets.

I could distinguish some palettes readily. Others required a closer look.

Records

“I remember the series better than I remember every edition.”

Z. Omb

“That is precisely why the labels matter.”

They restored the titles.

The archive would keep each design beside its supplied name and variant details. Memory remained useful for finding a file; the actual record would settle which file it was.

We examined the frame more closely.

Some black areas were boundaries between coloured bands. Their prominence did not automatically make black a separate stripe in the pride palette.

Omb marked a purple region, then its bordering line.

Records

“Colour area and outline.”

Z. Omb

“Different graphic roles. Describe both.”

The white band and the outer white sticker border received separate marks too. From a distance, small portions seemed to meet, but the intervening outlines clarified their paths in the larger view.

Those became proofing checkpoints for the Mini print.

Then I looked at the character’s smile and crown ornament.

Records

“Same cheerful expression. Same little heart.”

Z. Omb

“Yes.”

Records

“They stay in the Graysexual Edition.”

Z. Omb

“Of course. Neither supplies an account of someone’s attraction.”

The artwork’s intended pride context came from its supplied designation and palette. We added no invented attraction history, relationship status or explanation of the character’s expression.

The smile remained a smile in the illustration. The heart remained a crown decoration.

That left the archive free to study the design itself.

Records

“The purple seems to connect the frame with the dress shading.”

Z. Omb

“A visible relationship worth noting. We should not assume all those purples use the same colour value.”

We marked their positions without assigning exact colour specifications from the mockup.

For a future comparison, Omb proposed isolating small colour areas beside the full composition. That could help investigate how surrounding colours affected their appearance.

The slogan remained clearly separated by its white surrounding shape and pink edging.

Its transcription was checked one more time.

Records

“Visible spelling: ‘FASHISM’S NOT CUTE.’ Listing spelling: ‘Fascism’s Not Cute.’”

Z. Omb

“Correct.”

Records

“Medium first. Mini second.”

Z. Omb

“Also correct.”

I added the final sheet to the batch.

Records

“Now can I write complete?”

Z. Omb

“Write that the package is drafted. Physical proofs and the catalogue update have their own entries.”

Records

“You have separate boxes.”

Z. Omb

“They save us from mistaking a finished paragraph for a finished shipment.”

CURRENT RECORD

Identity: Intentional anti-fascist pride artwork, Graysexual Edition.

Pride frame: Wavy purple, grey and white regions with prominent black boundaries.

Shared character: Crowned blonde figure with pink bunny ears, sparkling eyes and a blue-and-white dress.

Edition recognition: Shared character features identify the series; the supplied name and surrounding palette distinguish this edition.

Graphic roles: Coloured bands, black outlines and the outer white sticker border recorded separately.

Colour relationships: Purple appears in the frame and character shading. Exact colour equality has not been verified.

Identity interpretation: No attraction history, relationship status or personal identity inferred from the smile, clothing or heart ornament.

Lettering discrepancy: Artwork reads “FASHISM’S NOT CUTE.” Customer-facing copy uses “Fascism’s Not Cute.”

Variants: 93.1 Medium; 93.2 Mini. Both belong to one product family.

Print verification: Narrow bands, borders and lettering remain to be checked on physical proofs.

Margin note — Records: Familiarity is useful. The wrong label is still the wrong label.