Genderqueer pride with playful charm and a clear anti-fascist message.

This edition surrounds a crowned, bunny-eared character with flowing lavender, white and green bands. Blonde hair, pink ears and a blue-and-white dress bring bright personality to the bold statement.

Sticker details

• One sticker featuring original Cerebroscope Studio artwork
• Synthetic PP with a glossy protective laminate
• Water-resistant
• Printed, laminated and contour-cut in Germany

Available sizes

• Longest side 4.5 cm (Medium)
• Longest side 3.6 cm (Mini)

For decorating notebooks, journals, laptops and other smooth surfaces.

Explore Handmade Stickers, Pride & Protest Stickers.

From the Cerebroscope archive

Z.O.M.B. LABORATORIES

Graphic Archive Record — 091-GQ

Designation: Fascism’s Not Cute — Genderqueer Edition
Record type: Pride slogan artwork; frame and visual continuity
Related records: 089-DB and 090-DG, series comparisons
Working question: How does a viewer follow a background shape when much of it is concealed?

Records

“This frame gives the character more breathing room,” I said.

Omb placed the Genderqueer Edition beside the previous comparison sheets.

Z. Omb

“Do you mean the bands are broader, or that the character occupies less space?”

I looked again.

Records

“The bands. I have not measured the character.”

Z. Omb

“Good. Start there.”

The lavender, white and green areas formed broad waves around the central figure. Dark outlines separated them and defined the pointed ends of the frame.

The blonde hair, pink ears, crown and blue-and-white dress remained familiar.

Omb sketched the frame’s visible sections, stopping wherever an ear, arm or letter concealed the background.

Records

“You have drawn several disconnected pieces.”

Z. Omb

“Those are the pieces we can see.”

Records

“But I read them as a continuous frame.”

Z. Omb

“Yes. That is the interesting part.”

At the top, the bands narrowed towards a point behind the lettering. Along the sides, they widened and curved around the ears. Near the bottom, hands and large letters interrupted them again.

We could follow the overall arrangement readily, but tracing every hidden connection required assumptions.

Omb used dotted lines for possible continuations in a separate explanatory sketch.

Records

“Solid for visible. Dotted for inferred.”

Z. Omb

“Exactly. A useful drawing should tell us which is which.”

We covered a small exposed section beside one ear.

The frame still appeared continuous to both of us.

Then we covered several more sections. Following an individual band became harder.

Records

“There is a point where I stop following the stripe and start remembering the design.”

Z. Omb

“That is worth investigating. Familiarity may be helping us.”

They added a future comparison with viewers who had not seen the other editions. Our own experience with the series made us convenient observers, but not unfamiliar ones.

The white band raised another question.

It sat inside the coloured frame, while a separate white sticker border surrounded the whole design.

Records

“Two whites with different jobs.”

Z. Omb

“One belongs to the composition. One defines the outer sticker edge.”

Dark boundaries kept them distinct in the supplied image. Omb marked both on the diagram so the archive would not accidentally merge the pride band into the surrounding border.

We returned to the edition name.

Genderqueer was recorded as the supplied pride context. The character’s dress and accessories remained part of the shared design.

Records

“Same character, another named edition.”

Z. Omb

“Yes. The illustration does not need a change of clothes to carry that context.”

There was no invented biography to explain the crown or ears. The archive’s task was to describe the artwork and investigate how its visual elements worked together.

The slogan supplied the explicit anti-fascist statement. Its black fill and white-and-pink edging kept it prominent across the broad coloured areas.

Records

“The frame is calmer to my eye than the narrow striped editions.”

Z. Omb

“Record that as your response. Broad bands and fewer boundaries may contribute, but we have changed several things between editions.”

We left the explanation open.

The spelling note remained consistent: visible “FASHISM’S NOT CUTE,” corrected “Fascism’s Not Cute” in customer-facing copy.

Before closing, I checked the variant order.

Records

“Medium first. Mini second.”

Z. Omb

“Correct.”

Records

“And the proofing question?”

Z. Omb

“Whether the bands, borders and lettering remain distinct in each finished size.”

The physical comparison was still ahead. The archive sketch had given us specific places to inspect.

CURRENT RECORD

Identity: Intentional anti-fascist pride artwork, Genderqueer Edition.

Pride frame: Broad wavy lavender, white and green bands, outlined in black.

Shared character: Crowned blonde figure with long pink bunny ears, sparkling eyes and a blue-and-white dress.

Continuity: Viewers can follow the frame across interruptions, although concealed connections are not directly visible.

Diagram convention: Visible paths recorded with solid lines; proposed hidden continuations kept separate and marked as inferred.

White elements: The white pride band and outer sticker border have distinct roles in the design.

Viewer response: One observer described the frame as calmer than the narrow striped editions. The contributing features have not been isolated.

Identity interpretation: Pride context follows the supplied edition name; clothing and accessories do not establish personal identity.

Lettering discrepancy: Artwork reads “FASHISM’S NOT CUTE.” Customer-facing copy uses “Fascism’s Not Cute.”

Variants: 91.1 Medium; 91.2 Mini. Both belong to one product family.

Print verification: Band separation, outer border and lettering remain to be checked on physical proofs.

Margin note — Records: The dotted lines are helpful, but have been refused admission to the finished sticker.